On her visit to The Courtauld she gave a lecture and seminar based around her work for the exhibition Elegance and Refinement: the Still Life Paintings of Willem van Aelst (Houston and Washington, DC). Melanie Gifford is the Research Conservator for Painting Technology, National Gallery of Art Washington. Recently, Professor Nagel has turned his attention to questions of orientation and configurations of place in Renaissance art. His interest in the multi-temporal life of works of art led to the publication of Anachronic Renaissance (co-authored with Christopher Wood, Zone Books, 2010) and Medieval Modern: Art out of Time (Thames and Hudson, 2012). His study of Italian art and the Reformation, The Controversy of Renaissance Art (University of Chicago Press, 2011), won the Charles Rufus Morey Book Award from the College Art Association. His book Michelangelo and the Reform of Art (Cambridge University Press, 2000) won the Phyllis Goodhart Gordan prize for best book in Renaissance studies from the Renaissance Society of America.
She is currently engaged in writing a collective biography, tentatively titled Warburg Circles, 1929-1964, that throws light on a highly influential intellectual movement owed to scholars who emigrated from Germany in the Nazi era.Īlexander Nagel is Professor at the Institute of Fine Arts, New York University.
Heckscher, Edgar Wind, Fritz Saxl, Jean Seznec, and Kenneth Clark. Publications include “Eye training: Goldschmidt/Wölfflin,” and treatments of figures standing in the Warburgian tradition including H. Her historiographical research, archive-based, has led her to study methods of image study. the iconography of sensory perception, author portraits and theories of authorship, guild regulations and the medieval critical eye). Much of her medieval research has involved close study of manuscripts, but her work has been characteristically thematic and problem-based (e.g. 2017-18 Elizabeth SearsĮlizabeth Sears has two areas of specialization: European representational arts from the eighth through the fourteenth century and historiography. Faculty and research students are particularly encouraged to engage with the scholar during their stay. These generally include a public evening lecture, an intimate discussion session, and a site visit. The Visiting Experts programme facilitates an established scholar, conservator or artist to visit The Courtauld Institute of Art for a short amount of time – typically a week – and deliver a schedule of events.
0 kommentar(er)
